[1] Talent show host Christian Legagneur hires a young reporter, Roland Wolf, to write his biography.

Time Out said "Chabrol frames the verbal sparring with characteristic precision, but the subtle plot suffers from a surfeit of politesse and a dearth of red-blooded passion.

"[2] The New York Times called it "something practically unheard of in the vast Chabrol filmography: a thriller that satisfies the audience's expectations of a thriller, even including the childlike hope that good will be rewarded and evil punished", and added "although the suspense is skillfully engineered, you can't help feeling Mr. Chabrol's boredom with it.

"[3] Jonathan Rosenbaum said it was "good, serviceable, quasi-Hitchcockian fun", but not especially memorable.

[4] Craig Williams on the BFI site was more positive: "The idea of the bourgeois mask concealing murderous impulses is prevalent throughout the director’s work, but there’s a streak of self-awareness in Masques... that marks this as one of his best films of the 80s.