[10] The Stone Lion [fa] (Persian: شیر سنگی (فیلم), romanized: Shir Sangi), is the story of a confrontation between tradition and modernity, which won the Crystal Simorgh for Best Screenplay in the fifth Fajr International Film Festival.
[10] His other film was Behind the Wall of Silence which is focused on Aids and was made with the help of the people's organizations, was invited by the 61st conference of women (CSW), and was supposed to be shown on 20 March 2017 with the presence of the main characters in the gathering at non-governmental organizations (NGO) and people-centered institutions in support of the mothers and children suffering from HIV/AIDS in the Headquarters of the United Nations in New York in the US was due to the United States president, Donald Trump's discrimination and racist decision of not giving visas to the people of this movie to go to the United Nations and attend the main UN conference and was canceled.
Although his three scripts: Ya'qub ibn al-Layth, Pourya-ye Vali, and Cyrus the Great have passed the first stages of production, for various reasons, they have not been completed.
Still, each failed for some reason, except for the most recent agreement signed with the association searching for a common ground, which even obtained official permission from the Ministry of Culture and Islamic Guidance to produce the film.
Finally, the American and Iranian Screenwriters Association in the United States and Canada registered the Baskerville scripts titled after Masoud Jafari Jozani and Mohammad Mehdi Dadgoo.
[19] In 2005 Masoud Jafari Jozani was informed that an Iranian filmmaker based in the United States announced that he was planning to travel to Turkey to make Baskerville.
[20] In 2010 Massoud Jafari Jozani, after obtaining a filming license in the United States, decided to make the TV series Baskerville.
[25] Masoud Jafari Jozani wrote the script for Pourya-ye Vali for a TV series in five seasons (52 episodes of 50 min).
[26][27] Fathollah Jafari Jozani and Doctor Abdulkarim Yunesi, the researchers of this script, used over 30 books, including Jami' al-tawarikh, Tarikh-i Jahangushay, and The Cambridge History of Iran.
Ya'qub ibn al-Layth's screenplay about the founder of the Saffarid dynasty in Sistan and his chivalry, simple life, and his role in history in uniting the Iranian people.
Jafari Jozani has mentioned this point in one of his interviews that:"Unfortunately, our children know more about Robin Hood than Ya'gub Al-Layth while he is one of the historical figures who has founded Ayyār-i and Futuwwa in Iran and teaches the youth how a better life is possible.
In the Wind's Eye, directed by veteran filmmaker Masoud Jafari Jozani, is also reported to have the highest-ever budget for an Iranian film at $12m (£7.3m).
[95]Variety, the oldest and most prestigious magazine in world cinema, in a report on 8 September 2009 entitled "Open door policy: L.A. lures Iran crew" examined the production of the series In the Wind's Eye and stated at the beginning of its report:[96]As the American public was riveted by the spectacle of riot police suppressing the massive demonstrations disputing the results of Iran's June 12 election, one crack appeared in the wall between the two countries.
Following three generations of Iranians from 1920 through 1981, with an overall budget of $12 million, the project will be the longest running and most expensive production in that country's film industry's history.
Veteran filmmaker, Masoud Jafari Jozani, has written and directed each episode of the series, as well as the screenplay for the feature film, which will be released in theatres in Iran.James Reinl, A reporter from the United States, wrote in a report entitled "Iranian movie cameras roll in US" about the permission to shoot In the Wind's Eye in the National newspaper on 14 September 2009:[98] As Washington and Tehran perform a diplomatic dance over Iran's suspected nuclear weapons programme, one group of Iranian filmmakers has benefited from the apparent thaw in relations between the long-standing enemies.
Masoud Jafari Jozani, an Iranian director, secured a dozen visas to enter the United States and film a movie.