Massurrealism

[2]The differentiating factor, according to Seehafer, between surrealism and massurrealism is the foundation of the former in the early 20th century in Europe before the spread of electronic mass media.

[2] A common characteristic is the use of modern technology to fuse surrealism's traditional access to the unconscious with pop art's ironic contradictions.

[5] In 2005, graffiti artist Banksy illicitly hung a rock in the British Museum showing a caveman pushing a shopping cart, which was described as "a nice tribute to James Seehafer and Massurrealism.

American Southern artist John R. Adams / Johnny Ramage's [12] work consists of digital media, photography, and random Google images chosen through an automatic style and rendered in unsophisticated photo editing software.

Ramage's work often focuses on ominous, absurd images inspired by frightening childhood events all depicted in style that suggests a low-fi, or 8-bit and contemporary aesthetic.