Ngongo ya Chintu, known as the Master of Buli (19th century), was a sculptor of Luba art in what is today the Democratic Republic of the Congo.
[1] Ngongo ya Chintu (an honorific title meaning "the great leopard, the father of sculpted things")[1] worked in what was then the Kingdom of Luba, sometime between 1810 and 1870.
According to Alisa LaGamma in Heroic Africans: Legendary Leaders, Iconic Sculptures:[1] The artist's signature expressionistic style features exaggeration of the face and hands through elongation, which allowed him to reinterpret and ingeniously exploit the formal possibilities of different genres of prestige sculpture: standing figures as caryatid supports for seats...seated mboko (bowl bearers)...and stately male figures.In the 1930s, Belgian art historian Frans Olbrechts that ten figures being put together for an exhibition shared similar characteristics, and that two had been collected in the same town, Buli.
In the 1970s, Ngonogo ya Chintu was identified by the owners of one of his figures as being an artist from the village of Kateba.
Marilyn Stokstad notes that villagers in Kateba knew of the master's work, as he was well regarded there.