[1] Max's quickly became a hangout of choice for artists and sculptors of the New York School, like John Chamberlain, Robert Rauschenberg and Larry Rivers, whose presence attracted hip celebrities and the jet set.
[2] Neil Williams, Larry Zox, Forrest (Frosty) Myers, Larry Poons, Brice Marden, Bob Neuwirth, Dan Christensen, Ronnie Landfield, Ching Ho Cheng, Richard Bernstein, Peter Reginato, Carl Andre, Dan Graham, Lawrence Weiner, Robert Smithson, Joseph Kosuth, Brigid Berlin, Viva, Edie Sedgwick, David R. Prentice, Roy Lichtenstein, Peter Forakis, Peter Young, Mark di Suvero, Pat Lipsky, Larry Bell, Donald Judd, Dan Flavin, Richard Serra, Lee Lozano, Carlos Villa, Jack Whitten, Edward Leffingwell, Philip Glass, Max Neuhaus, Ray Johnson, Malcolm Morley, Lotti Golden, Marjorie Strider, Edward Avedisian, Carolee Schneemann, Dorothea Rockburne, Norman Bluhm, Kenneth Showell, Robert Tex Wray, John Griefen, Colette Justine, Lenore Jaffee, Tally Brown, Taylor Mead, William S. Burroughs, Allen Ginsberg, René Ricard, Richard Gallo, Stephen Shore, Marta Minujín, and Marisol were just some of the artists seen regularly at Max's.
Willem de Kooning, Barnett Newman, Henry Geldzahler, art critics Lucy Lippard, Robert Hughes, Clement Greenberg, and Harold Rosenberg, art dealers Leo Castelli, and David Whitney, whose gallery was across the street,[3] writers Lillian Roxon,[4] Fran Lebowitz,[5] Germaine Greer,[6] and architect Philip Johnson occasionally would be seen there as well.
[13] Tim Buckley, Tom Waits, Bonnie Raitt, Odetta, Eddie Mottau, Dave Van Ronk, John Herald, Garland Jeffreys, Sylvia Tyson, Emmylou Harris, Gram Parsons, Elliott Murphy and Country Joe McDonald were some of the musicians that also played there.
Shortly after graduating from Cornell Law School, Mickey Ruskin opened The Tenth Street Coffeehouse, which featured nightly poetry readings.
[18] Ruskin's last enterprise was Chinese Chance (nicknamed One U), a bar and restaurant that he opened with partner Sanders, located at 1 University Place in Greenwich Village.
Lauren Hutton, Ellen Barkin, Gerard Malanga, Joe Jackson, Joni Mitchell, Nico, David Bowie and a score of other Lower Manhattan celebs hung out there, as well as the artists that formerly frequented Max's and the doormen of the Mudd Club.
[23] Under Crowley's guidance the club became one of the birthplaces of punk,[1] regularly featuring bands including Cherry Vanilla, Wayne County & the Electric Chairs, Ruby and the Rednecks, The Offs, The Fast, Suicide (who all appeared on the compilation album 1976 Max's Kansas City[24]), the New York Dolls, Patti Smith Group, the Ramones, the Mumps, the Heartbreakers, Television, Blondie, Talking Heads, Sniper, the Dictators, the Cramps, Mink DeVille, Misfits, Little Annie, the Fleshtones, the B-52's, the Stimulators, the Bongos and Klaus Nomi, as well as out-of-town bands such as the Runaways and the Damned.
The opening had been delayed due to litigation by Ruskin's partner, Yvonne Sewall-Ruskin, who claimed that she owned the trademark to Max's Kansas City and was granted a temporary restraining order to prevent use of the name.
In the spirit of Ruskin's philosophy of helping artists in need, the project, a 501(c)(3) non-profit, provides emergency funding and resources for individuals in the arts in crisis.