Released by Columbia Records on October 28, 1994, at the peak of the initial stretch of Carey's career, between Music Box (1993) and Daydream (1995), the album features cover versions of popular Christmas songs in addition to original material.
Re-released on multiple occasions in various formats since its debut, the album has sold 5.7 million copies in the United States as of December 2019 and has been certified nine-times Platinum by the Recording Industry Association of America.
It achieved the top-ten in 20 additional countries including Australia, Canada, Germany, the Netherlands, New Zealand, Sweden, Switzerland, and the United States.
[5] The idea proved to be wise, earning Carey recognition in various markets including Christian radio and contemporary R&B stations, as well as extended her fame in Japan, where the album experienced much of its success.
[6] According to Chris Nickson, Carey's love of gospel music came through on the track, writing, "[she] led the band without pushing herself forward, letting the song develop and work out, trading lines with the chorus until, after the crescendo, the musicians moved into a fast double-time to the end.
[6] The song featured a synthesized orchestra, including keyboard notes courtesy of Afanasieff, during which Carey would sing to her "long-gone lover, crystallizing the way that Christmas brought memories of the past into focus.
[6] Record producer and composer Holland also co-produced some of the albums gospel flavored tracks, including "Silent Night", where he arranged the backing vocals and synthesizers.
[6] Carey's rendition of "Santa Claus Is Comin' to Town", was deemed as "one of the more playful tracks on the album", alongside "Christmas (Baby Please Come Home)".
Fellow singers Adele, Lady Gaga, Demi Lovato, Nick Jonas, Elton John, Selena Gomez, Gwen Stefani, Coldplay's Chris Martin and the band Red Hot Chili Peppers were featured in the video.
The show will feature the global superstar’s timeless holiday classics alongside fan-favorite chart-toppers, promising an unforgettable festive experience.
"All I Want for Christmas Is You" is Carey's biggest international hit of her career, breaking several records worldwide and topping the charts in over 25 countries, including Australia, Canada, France, Germany, the UK Singles chart and the US Billboard Hot 100, becoming the best-selling Christmas song by a female artist and one of the best-selling singles of all time, selling over 16 million copies worldwide.
[28] Other songs from the album also achieved success worldwide: In the Los Angeles Times, Chris Willman wrote that Carey "attempts her share of girl-group pop amid the quasi-gospel melisma, though still not evidencing as much personality as talent in either style".
"Regardless of backup, Ms. Carey oversings, glutting songs with her vocal tics—like sliding down from the note above the melody note—and turning expressions of devotion into narcissistic displays.
"[39] Chris Dickinson from the Chicago Tribune called the singer a "trilling songbird" and "over-the-top irritant" throughout the album, particularly on "All I Want for Christmas Is You", where she "sounds like a bush-league Petula Clark".
Considine said while Carey's gospel and soul-inflected vocal exercises worked well with the traditional songs, "the album's real strength is the conviction she brings to otherwise corny fare like "Santa Claus Is Comin' to Town", while the way she augments "Joy to the World" with a bit of the Three Dog Night hit is pure genius.
"[42] Steve Morse from The Boston Globe argued that it was perhaps Carey's best record, on which she abandoned the overly polished sound of her previous albums and "cut loose with unbridled soul".
[43] In a retrospective review, Barry Schwartz of Stylus Magazine believed Merry Christmas may have been "the definitive Mariah Carey album", finding the singer at "her absolute creative and commercial peak, her voice still a marvel, her songs and performances still undeniably brilliant".
[44] AllMusic editor Roch Parisien deemed "All I Want for Christmas Is You" the record's highlight while lamenting Carey's "high opera" pretensions on "O Holy Night" and her dance/club rendition of "Joy to the World".
[53] In Australia, the album peaked at number two, and was certified seven-times Platinum, denoting shipments of 490,000 copies and finishing 11th on the Australian Recording Industry Association (ARIA) 1994 End of Year Chart.