[5] Not until 1846 (thirteen years after the author's death) did the relaxation of censorship enable a performance in Berlin; for this King Frederick William IV commissioned Meyerbeer to provide an overture and incidental music.
[6] Beer's poetic output includes a series of 'Elegies' written in Italy, a protest at the injustice of criminal sentencing (Im Gerichtssaal), and a satirical poem on the paradoxes of extreme religiosity (Der fromme Rabbi).
[7] Beer spent many of his last years in Paris where he was acquainted with Heinrich Heine, Ferdinand Hiller and Felix Mendelssohn, who was an occasional chess-partner.
Beer was, in the tradition of his family, generous of his wealth and supported scholars and artists, including the orientalist Salomon Munk.
The annual income of the Michael Beer Foundation was awarded to two young artists, who had to be Jewish; this financed a one-year study period in Italy, of which they had to spend at least eight months in Rome.