After schooling in eight different establishments, six different countries and three different languages (including the Collège Jean de Brébeuf in Montreal and the University of Louvain in Belgium), he settled in Paris in 1958 where he has lived ever since.
The College was visited by such major figures as Yehudi Menuhin, who repeatedly called upon Geoffroy-Dechaume to participate in the Bath festival; Pierre Boulez, who marked the bicentennial of the death of Jean-Philippe Rameau at the Théâtre des Champs Elysées in Paris in 1964 by conducting Geoffroy-Dechaume’s transcription into the modern notation of the opera Hippolyte et Aricie; the guitarist and lutenist Julian Bream who gave a memorable concert in the village church; the conductor André Jouve and his wife, the singer Marie-Thérèse Kahn; the harpsichordist George Malcolm ; and the pianist Yvonne Lefébure who was a frequent visitor with her husband, the musicologist Fred Goldbeck.
[3] Writing in Variety on 27 January 2011, Dennis Harvey hailed it as: “An extraordinary imaginative leap, Lech Majewski's "The Mill and the Cross" combines old and new technologies allowing the viewer to live inside the painting—Flemish master Pieter Bruegel's 1564 "The Procession to Calvary," an epic canvas depicting both Christ's crucifixion and the artist's homeland brutalization by Spanish occupiers.
Neither conventional costume drama nor abstract objet d'art, this visually ravishing, surprisingly beguiling gamble won't fit any standard arthouse niche.
In 2007, under the pseudonym of Miguel Errazu, he published The Riddle of the Seal, the first volume of a fantasy trilogy, "Chronicles of the Greater Dream" (The University of Levana Press).
This strange and inexplicable natural/cultural phenomenon, has been produced for thousands of years in the great continent known, the author claims, "since highest Antiquity as the Third Hemisphere (and more recently as Gondwana)."
Upon being questioned about the significance of his trilogy, Gibson replied that his theme could perhaps be summed up in the words of Michael Steinberg: "The pretensions of language have become an obstacle to human life.