[10][27] Graves won his first Grammy award in 2009, for his work on Dust-to-Digital's four-CD box set Art of Field Recording, Vol.

[28] In 2011, Graves began working with the archival label Analog Africa, restoring and mastering a large portion of that company's catalog, beginning with the album Bambara Mystic Soul: The Raw Sound of Burkina Faso 1974-1979.

In 2013, after meeting company co-founder Cheryl Pawelski, Graves began a long-running relationship with the reissue label Omnivore Recordings.

[9][31][32] The same year, Graves was also nominated in the Grammy category of Best Historical Album for his work on the Dust-to-Digital release Longing for the Past: The 78 RPM Era in Southeast Asia.

In 2015, Graves assumed mastering and restoration duties for the compilation CD that accompanies the Oxford American magazine's annual music issue.

[6][33][34] Graves earned a 2015 Grammy nomination, again in the Best Historical Album category, for his work on Dust-to-Digital's 2014 release Parchman Farm: Photographs and Field Recordings 1947-1959.

Graves received two Best Historical Album Grammy nominations the following year, for Washington Phillips and His Manzarene Dreams (Dust-to-Digital) and Sweet As Broken Dates: Lost Somali Tapes from the Horn of Africa (Ostinato).

[6] The same year, he won another Grammy award for Best Historical Album, for his work on Dust-to-Digital's Voices of Mississippi: Artists and Musicians Documented by William Ferris.

[28][36] He is also a board member and technical advisor to Music Memory, an organization dedicated to the preservation of large, rare 78 rpm collections.