He then earned his living as a music teacher (which in fact made him more money than he would have as an organist), and in 1727 he published his first collections of sonatas for various instruments such as the flute, violin, brass, musette, and hurdy-gurdy.
In 1737, Corrette was appointed as the organist at the Church of Sainte Marie du Temple in Paris - a position he held for 54 years until 1791.
In 1742, he wrote a so-called "Turkish" concerto in honour of the Ottoman Ambassador to France, Yirmisekizzade Mehmed Said Pasha, who was a great admirer of French culture.
He composed ballets and divertissements for the stage, including Arlequin, Armide, Le Jugement de Midas, Les Âges, Nina, and Persée.
Despite living well into the Classical era (he outlived Mozart by four years, dying in 1795 just a few months short of 88), Corrette's musical idiom was very conservative, and he continued to compose in the Baroque style at least up to the 1770s.