Michelle Stuart

[citation needed] During this time, Stuart investigated other means of addressing specific sites through her landworks or, as she terms them, "drawings in the landscape".

[citation needed] She embarked on a series of gridded paintings that introduced beeswax, seashells, blossoms, leaves and sand embedded in an encaustic surface.

[citation needed] Throughout her career, Stuart has also sought to manifest her love of literature and the writing process through a variety of strategies.

[citation needed] In the early 70s, she began to create the Rock Book series, artworks that in their use of natural materials from specific sites might be considered alternative travel logs.

[citation needed] Stuart has published artists' books, including The Fall (1976), a book-length prose poem about keeping historical records and Butterflies and Moths (2006).

In 2008 Stuart was part of a group exhibition called "Decoys, Complexes and Triggers: Feminism and Land Art in the 1970s," at the SculptureCenter in Long Island City, New York other artists in this exhibit included Alice Adams, Alice Aycock, Lynda Benglis, Agnes Denes, Jackie Ferrara, Suzanne Harris, Nancy Holt, Mary Miss, and Jackie Winsor.

[6][7] Stuart's works were featured in Documenta VI, Kassel, Germany and in the American Biennial Pavilions in Seoul, Korea, and Cairo, Egypt.