There his friend, Ludwik Sempoliński, made him join the classes of music organized by Jan Łysakowski, Eugeniusz Mossakowski, Wacław Brzeziński, Ignacy Dygas and many other notable Polish musicians of the epoch.

This and other tangos and romances performed by the choir in the famous Qui pro Quo theatre led Fogiel to become one of the most popular Polish singers.

After 1932, Fogiel, under a new pseudonym of Fogg, toured a number of countries, including Germany, Latvia, the Soviet Union, Finland, Norway, Sweden, Austria and Italy.

He also appeared in a number of duos with other popular artists of the time, including Hanka Ordonówna, Stefcia Górska, Zula Pogorzelska and Adolf Dymsza.

During the Warsaw Uprising, he gave countless concerts both on the barricades, in hospitals and in the bomb shelters beneath the city.

The cafe, located at 119 Marszałkowska Street, was the first music theatre opened after the war in the destroyed city and served as one of the very few centres of culture.

Throughout his 60-year long career, he gave more than 16,000 of them in all countries of Europe, Brasil, Israel, Ceylon, New Zealand, Australia, Canada and the US.