Miguel Poventud

"El Niño Prodigio de Guayama" and "Miguelito" (August 4, 1942 – March 3, 1983), was a Puerto Rican musician, singer, actor and composer of Boleros.

From the age of five Poventud looked forward to trips to the town Plaza accompanied by his mother, dressed in clothes that she herself had sewn.

While he was a student at the Escuela Parada Guamani, he suffered a spinal cord injury caused by a biking accident and was hospitalized for two years, which left him immobile at the age of 10.

Soon Poventud was performing in his hometown of Guayama, winning awards, and singing before large audiences at the local radio station WHOM.

His primary inspirations were his deceased mother, his new reality in New York, a growing romanticism, and the melancholy of diaspora - a nostalgia for the island and the people that he'd left behind.

Poventud continued to make further presentations at the theater with Yomo Toro y su Conjunto playing Rock 'n Roll in English, and singing Boleros in Spanish.

[3] In 1965 the light heavyweight boxing champion of the world, a Puerto Rican named José "Chegui" Torres, went to see one of Poventud's performances at Mexico's El Teatro Lirico and they became friends.

Eventually they were both invited to appear on The Ed Sullivan Show, where Torres sang "Un Poco Mas" accompanied by Poventud and his guitar.

[4] Poventud returned to New York, attended Boricua College in the Bronx, and became politically involved in the Puerto Rican independence movement around this time.

Poventud had an accident two days before the recording and showed up with and injured thumb that was held in place with a metal pin and stitches.

[7] Poventud's interpretation of the song Niegalo (Deny it) resulted he being invited to appear at Mexico's El Teatro Lirico.

[8] Another song that received international recognition was Tite Curet Alonso's Tu Mente (Your Mind) interpreted by Poventud.

Another Puerto Rican singer, Daniel Santos, recorded Poventud's Si Yo Fuera Millonario (If I Were a Millionaire).

The jibaro song, Joven Contra Viejo (Young Against Old) featured Héctor Lavoe and Daniel Santos settling their age-based differences on-stage, but not without a heavy dose of humor and (yet again) Yomo Toro's cuatro music as a backdrop.

Teatro Puerto Rico in the 1950s