Directed by Gus Van Sant and written by Dustin Lance Black, the film stars Sean Penn as Milk, alongside Emile Hirsch, Josh Brolin, Diego Luna, and James Franco.
The film opens with archival footage of police raiding gay bars and arresting patrons during the 1950s and 1960s, followed by Dianne Feinstein's November 27, 1978 announcement to the press that Harvey Milk and Mayor George Moscone had been assassinated.
Dissatisfied with his life and in need of a change, Milk and Smith decide to move to San Francisco in the hope of finding larger acceptance of their relationship.
Frustrated by the opposition they encounter in the once Irish-Catholic neighborhood, Milk utilizes his background as a businessman to become a gay activist, eventually becoming a mentor for Cleve Jones.
Sponsored by John Briggs, a conservative state senator from Orange County, Proposition 6 seeks to ban gays and lesbians (in addition to anyone who supports them) from working in California's public schools.
It is also part of a nationwide conservative movement that starts with the successful campaign headed by Anita Bryant and her organization Save Our Children in Dade County, Florida to repeal a local gay rights ordinance.
A number of Milk's associates, including speechwriter Frank M. Robinson, teamster Allan Baird and school teacher-turned-politician Tom Ammiano, portrayed themselves.
Additionally, Carol Ruth Silver, who served with Milk on the Board of Supervisors and was allegedly also a target of the assassination, plays a small role as Thelma.
[8][9] Other actors considered for Harvey Milk at the time included Richard Gere, Daniel Day-Lewis, Al Pacino, and James Woods.
[12] By November, Focus Features moved forward with Van Sant's production, Milk, while Singer's project ran into trouble with the writers' strike.
[15] The production design and costume design crew for the film researched the history of the city's gay community in the archives of the GLBT Historical Society in San Francisco, where they spent several weeks reviewing photographs, film and video, newspapers, historic textiles and ephemera, as well as the personal belongings of Harvey Milk, which were donated to the institution by the estate of Scott Smith.
Milk premiered in San Francisco on October 28, 2008, initiating a marketing dilemma that Focus Features struggled to face due to the film's subject matter.
[21] Regardless, many reviewers and pundits have noted that the highly acclaimed film has taken on a new significance after the successful passage of Proposition 8 as a galvanizing point of honoring a major gay political and historical figure who would have strongly opposed the measure.
The site's critics consensus reads, "Anchored by Sean Penn's powerhouse performance, Milk is a triumphant account of America's first openly gay man elected to public office.
[33] Todd McCarthy of Variety called the film "adroitly and tenderly observed", "smartly handled", and "most notable for the surprising and entirely winning performance by Sean Penn."
the quality of the writing, acting and directing generally invests them with the feel of real life and credible personal interchange, rather than of scripted stops along the way from aspiration to triumph to tragedy.
And on a project whose greatest danger lay in its potential to come across as agenda-driven agitprop, the filmmakers have crucially infused the story with qualities in very short supply today – gentleness and a humane embrace of all its characters.
But it is also a film that like Mr. Van Sant's other recent work – and also, curiously, like David Fincher's Zodiac, another San Francisco-based tale of the 1970s – respects the limits of psychological and sociological explanation.
[22] It stated that "Milk achieves what it sets out to do, telling an inspiring tale of one man's quest to legitimize his identity, to give hope to his community.
[22] In contrast, John Podhoretz of the conservative magazine Weekly Standard blasted the portrayal of Harvey Milk, saying that it treated the "smart, aggressive, purposefully offensive, press-savvy" activist like a "teddy bear".
Podhoretz mentioned as well that the film concentrates on Milk's opposition to the Briggs Initiative while ignoring that both Governor Ronald Reagan and President Jimmy Carter had made more public statements against it.
[37] Screenwriter and journalist Richard David Boyle, who described himself as a former political ally of Milk's, stated that the film made a creditable effort at recreating the era.
"[43] The Pacific Freedom Forum issued a press release stating that "Samoa is the only nation worldwide where censors have specifically banned the multi-Academy Award winning film", limiting Samoans to smuggled or pirated versions.
[44] American Samoan Monica Miller, the Forum's co-chair, stated, "Observers are left to wonder at the censorship standards being applied in a country where fa'afafine have a well established and respected role.
[45] On April 30, Principal Censor Leiataua Niuapu released the reason for the ban, saying the film had been deemed "inappropriate and contradictory to Christian beliefs and Samoan culture": "In the movie itself it is trying to promote the human rights of gays.