Millicent Rogers

[1] Rogers is notable for having been an early supporter and enthusiast of Southwestern-style art and jewelry,[1] and is often credited for its reaching a national and international audience.

[1] She suffered from poor health for the rest of her life, having multiple heart attacks, bouts with double pneumonia, and a mostly crippled left arm by the time she was 40 years old.

[1] In the 1920s, as a young woman Rogers became well-known on the social scene, and photographs of her were often featured in Vogue and Harper's Bazaar.

Rogers lived as an expatriate from 1932, settling in St. Anton, Austria in 1934, and remaining in Europe until World War II began.

[8] In 1951, Rogers and several prominent friends (including authors Frank Waters, Oliver La Farge, and Lucius Beebe) hired lawyers and visited Washington, D.C. to promote the issue of Indian rights and citizenship.

Her first marriage was in January 1924 when she eloped with Austrian Count Ludwig von Salm-Hoogstraeten, and they were married in a New York courtroom; she was 21 years old, and the groom was 38.

[15] They were married in the parish house of the Catholic Church of the Sacred Heart of Jesus and Mary in Southampton, Long Island, with only Rogers' father and a few friends in attendance.

The museum houses a large collection of Native American, Hispanic, and Euro-American art, with a specific emphasis on northern New Mexico and Taos pieces.

Millicent Rogers, c. 1940s. This photo is on display at the Millicent Rogers Museum .
Woman at the Tub , by Henri de Toulouse-Lautrec . One of at least a dozen Toulouse-Lautrecs that Millicent Rogers donated to the Brooklyn Museum .
Hopi bowl from Sikyátki , at Millicent Rogers Museum