[2] The lead vocals, guitars, bass, and banjo parts were shared by band members Robbie Arnett, Marlana Sheetz, Andrew Heringer and Graham Fink.

[6] AllMusic's Matt Collar likened Sheetz's voice to "Sarah McLachlan fronting Fleetwood Mac" and described the album as "a languid, evocative exercise in harmony-infused pop.

"[7] Megan Ritt of Consequence of Sound called Milo Greene "a gorgeously arranged and executed album", but noted that "the overall formula itself gets repetitive after a few listens.

"[9] Ron Harris of the Associated Press described it as "a tapestry of richly reverbed guitar, inventive drum work and something sorely missing amid today’s morass of arrange-by-numbers rock music".

[10] Chuck Campbell of Knoxville News Sentinel wrote that the album, while "often intoxicating", has "an icky, overly sweet taste that sours the enjoyment ... especially as the release gets stuck in fuzzy redundancy.