The painter superficially distributed stylized shapes on the surface of the painting, avoiding empty areas and animating them using characteristic colour signs.

The structure of forms which is especially interesting for the artist reveals his horror vacui therefore, he is persistently devoted to each segment of the coloured pigment, construing miniature cones over the flat surface.

The encounters of red and greed reveal the passion of his chromatic expression, while his drawings, as a separate artistic branch, show even more inventive approach to the presentation of the vision itself.

The pronounced continuity, permeation, intertwining of vibrant graphic, filled and empty surfaces, i.e. black and white, optically contributes to the kinetics of pictorial elements.

He received a series of recognition, including the Award for Entire Artistic Work at the Eleventh Biennial in MNMA, Jagodina, Serbia.