[2] His active communication with the public first became recognized with "Housing with Deep Space",[3] exhibited in the 1992 show "Echoes of an Era".

[7] His works and ideas have always been the center of debate and controversy, and have marked important turning points in Korean architecture and urbanism.

Min's propositions in architecture are continually concerned with "Structuring Emptiness" which is a design of potentials: as infrastructures of daily lives deeply related to the properties and intimacies of the site it sit on.

His works are not only searching for the identity of Korean contemporary architecture but also developing and expanding those ideas to generate a theory of the future.

[9] Presented by works, publications, articles, teaching, and international exhibitions, including Venice Biennale 1996/2000/2002,[10] "Structuring Emptiness" invited by University of Pennsylvania in 2003,[11] and "Paju Book City" at Aedes West in Berlin, 2005,[12][13] his creative ideas shows us the possibility of acquiring universality in the realm of architecture.