[6] The single cover art, which is similar to the artwork for Syro, details statistics and user activity on Aphex Twin's YouTube channel from February to September 2014.

Writing for NPR's All Songs Considered, Otis Hart referred to the track as "signature AFX" and said "the synths bounce erratically … The warped vocal sighs are disorienting, yet blissful.

"[7] Pitchfork Media writer Patric Fallon awarded "minipops 67 [120.2]" the "Best New Track" accolade and called it "analog maximalism", comparing its composition to James' previous releases, including "the plinky, translucent synths of Selected Ambient Works" (1992), the "vocal abstractions" of Richard D James Album (1996) and the "excitable dissonance" of Drukqs (2001).

[9] Rolling Stone's Daniel Krepps referred to "minipops 67 [120.2]" as "melodic" and reminiscent of James' earlier ambient material, and noted that during his 13-year hiatus as Aphex Twin "his talents haven't dulled in the least.

"[10] Chris DeVille of Stereogum praised the song, describing that it "bears traces of Caribou's liquid bounce and Burial's high-minded skittering, while the vocals reflect Thom Yorke's alien moaning.