The film was directed by John Musker and Ron Clements, co-directed by Chris Williams and Don Hall, and produced by Osnat Shurer, from a screenplay written by Jared Bush, and based on a story conceived by Clements, Musker, Williams, Hall, Pamela Ribon, and the writing team of Aaron Kandell and Jordan Kandell.
The film is set in ancient Polynesia and tells the story of Moana, the strong-willed daughter of a chief of a coastal village, who is chosen by the ocean itself to reunite a mystical relic with the goddess Te Fiti.
When a blight strikes her island, Moana sets sail in search of Maui, a legendary demigod, in hopes of returning the relic to Te Fiti and saving her people.
Along with Zootopia, it marked the first time since 2002 that Walt Disney Animation Studios released two feature films in the same year, after Lilo & Stitch and Treasure Planet.
One day, Maui, the shape-shifting demigod of the wind and sea and master of wayfinding, stole Te Fiti's heart to give humanity the power of creation.
That afternoon, Moana's grandmother Tala shows her a secret cavern of ships and reveals Motunui's people were voyagers until Maui stole Te Fiti's heart; the ocean was no longer safe without it.
After directing The Princess and the Frog (2009), Clements and Musker started working on an adaptation of Terry Pratchett's Mort,[10] but problems with acquiring the necessary film rights prevented them from continuing with that project.
[11] The genesis of one of those ideas (the one that was ultimately green-lit) occurred in 2011, when Musker began reading up on Polynesian mythology, and learned of the heroic exploits of the demigod Māui.
[12][13] Accordingly, in 2012, Clements and Musker went on research trips to Fiji, Samoa, and Tahiti to meet the people of the South Pacific Ocean and learn about their culture.
[14] At first, they had planned to make the film entirely about Maui, but their initial research trips inspired Clements to pitch a new idea focused on the young daughter of a chief.
[15] Clements and Musker were fascinated to learn during their research that the people of Polynesia abruptly stopped making long-distance voyages about three thousand years ago.
[16] The reasons for the halt of this voyaging tradition remain unknown, but scholars have offered climate change and resulting shifts in ocean currents and wind patterns as one possible explanation.
They are credited with developing the core relationship between Moana and Maui, the prologue, the Cave of the Wayfinders, the Kakamora, and the collector crab Tamatoa (played by Jemaine Clement).
[25] After the filmmakers sat through auditions of hundreds of candidates from across the Pacific,[14] 14-year-old high school freshman Auliʻi Cravalho was cast as the lead character Moana.
[30][31] At that point in time, the design of Moana's face and personality was already complete, and Cravalho's obvious physical resemblance to her character was simply a coincidence.
[38] Moana was produced in makeshift quarters in a giant warehouse in North Hollywood (together with Zootopia), while Disney Animation's headquarters building in Burbank was being renovated.
[50] This marks the second time Disney has released a special dubbing dedicated to the culture which inspired the film: the first case was The Lion King (1994), for which the directors travelled to South Africa to cast voice actors for a Zulu-dubbed version.
[52] In June 2017, a Māori-language dubbing of the film produced by Matewa Media was announced,[53] premiering in Auckland on September 11, with 30 theatres screening it for free as part of Māori Language Week.
[55] In contrast to the Tahitian dubbing, the Māori version was made available for purchase in Australia and New Zealand, and the soundtrack was uploaded on Disney's official Vevo channel.
[67] The film's world premiere was held on the grand opening of the AFI Fest Celebration at the El Capitan Theatre in Los Angeles on November 14, 2016.
[76] Disney initiating a partnership with Hawaiian Airlines[77] to promote the film has been perceived as having the motive of fetishizing Polynesian island nations as exotic vacation spots, the people and culture of which exist only to entertain foreign audiences,[78] as well as Auliʻi Cravalho speaking with The New York Times in an interview sharing travel tips for visitors to Hawaii.
[79] Critiques of these promotional tactics focus on how adverse effects of tourism have devastated native communities in the Pacific, resulting in environmental degradation and poverty.
[80] A Maui "skin suit" costume made to tie in with the film was pulled by Disney from its online store following complaints about it being culturally insensitive[81] and for appearing to promote brownface.
It became the sixth film of 2016 to top the box office three times, following Deadpool, Zootopia, The Jungle Book, Finding Dory, and Suicide Squad.
The website's critical consensus reads "With a title character as three-dimensional as its lush animation and a story that adds fresh depth to Disney's time-tested formula, Moana is truly a family-friendly adventure for the ages.
[129] Christy Lemire of RogerEbert.com gave the film three-and-a-half out of four stars, stating "...its dazzling visuals, catchy tunes, enjoyable performances, clever running gags and overall sense of fun.
[131] Critics also lauded Moana for centering on a strong female protagonist whose narrative is not confined to finding a Prince Charming, a contrast to princess characters of past Disney films.
[132] Brent Lang of Variety wrote, "Whereas earlier Disney heroines waited around for their prince to come and save the day, Moana takes it upon herself to embark on a perilous oceanic voyage in order to lift her island home from a curse.
[140][141] In April 2023, The Hollywood Reporter reported that Walt Disney Pictures was developing a live-action adaptation of Moana to be produced by Johnson, Dany Garcia, and Hiram Garcia, under their production company Seven Bucks Productions, and Beau Flynn of Flynn Pictures Co., executive produced by Auliʻi Cravalho and Scott Sheldon, and written by Jared Bush, with Johnson set to reprise his role as Maui.
I wear this culture proudly on my skin and in my soul, and this once-in-a-lifetime opportunity to reunite with Maui, inspired by the mana and spirit of my late grandfather, High Chief Peter Maivia, is one that runs very deep for me.