In an interview, Spookey explained, "I got permission to use them (to re-use for the double album).

is a wild, exhilarating melange of styles and sounds, colliding, blending together, copulating and producing bizarre, mutated offspring.

Take the first track, "Sex Traffic," (gotta be an homage to Kraftwerk's Sex Object")—a dizzying mix of French female vocal samples, snapping synthesizers, rubber-band ostinato bass, gritty electronic drums, sampled squealing tires and robotic monotonous vocals intoning "Sex Traffic" over it all—but it's freakin' fantastic!

Then before you've recovered, Ruben jump-cuts into "My Female Friends," its gorgeous piano chords, buoyant vocal and synth melodies and galloping rhythm three minutes and forty-four seconds of pure pop adrenaline.

The record is a roller coaster thrill-ride of moods and kaleidoscopic instrumental sounds, from unbelievably pure and well-recorded acoustic guitars, glockenspiels and percussion to unbelievably processed squealing synths and sampled vocals.