Moltopera

[4] In May, Moltopera's conductor, Csaba Tőri, gave a lecture for the inquiry of Da Vinci Learning TV channel in the Millenaris Park.

Moltopera put on stage Mozart's Magic Flute and a narrated, educational aria recital following they "opera in every venues" principle in a pop-rock festival.

[5] The main attraction of Moltopera in the autumn season of 2012 was the Magic Flute, leading to a highly promoted, full house production in the Palace of Arts.

[6] After numerous successful traditional performances, Moltopera has chosen to put Magic Flute in a psychiatry, using own, self-written prosaic parts and a six-member ensemble instead of a symphonic orchestra transcribed by the young composer Kayamar.

On 31 January 2013, in Moltopera's La Bohéme in the National Theater of Pécs, only Marianna Sipos, Janka Kulcsár, Zoltán Gradsach and László Ágoston were featured from the founding members beside acclaimed singers like Ildikó Szakács or András Hajdú.

Soon after this Moltopera Germany accomplished an educational project in the Görlitz area, with the participation of both Hungarian and German members supported by the European Union.

[11] After last year's very successful debut with Haydn's The desert island (L’isola disabitata), Moltopera will perform in Hungarian State Opera in the next season, too.

It is directed by the Jászai Mari Award-laureate János Novák, head of Kolibri Theatre, and conducted by the Lantos Rezső-prize awarded Csaba Tőri.

In an article by Tom Huizenga for Deceptive Cadence, it is pointed out that an opera has to compete with all the other 21st century possibilities of entertainment like 3D films or PlayStation, as their primary target group has easy and wide access to these other free time activities.

[22] Moltopera believes the best example of this way of thinking is their Don Giovanni Sextet rendition, which is usually sung standing in a half circle around Leporello, but László Ágoston directing a full, moving episode from it.

After the change of structure, this data became irrelevant, but Moltopera still holds this as a principle to employ as young singers as soon as possible, without the loss of overall quality of work[citation needed].