Nellie Farren, E. J. Lonnen, Fred Leslie, Marion Hood and Jenny Lind appeared in the cast during the run, which ended in early October 1887.
Other examples at the Gaiety include The Bohemian G-yurl and the Unapproachable Pole (1877), Blue Beard (1882), Ariel (1883, by F. C. Burnand), Galatea, or Pygmalion Reversed (1883), Little Jack Sheppard (1885), Miss Esmeralda (1887), Frankenstein, or The Vampire's Victim (1887), Mazeppa, Faust up to Date (1888), Ruy Blas and the Blasé Roué (1888), Carmen up to Data (1890), Cinder Ellen up too Late (1891), and Don Juan (1892, with lyrics by Adrian Ross).
Edwardes expanded the burlesque format from one act to full-length pieces with original music by Lutz, instead of scores compiled from popular tunes, and choreography by the theatre's dance-master, John D'Auban.
[9] The Gaiety cast including Farren but augmented by a pretty female American chorus opened on 15 November 1888 in a reworked production at the Standard Theatre on Broadway.
While the American audience was largely unappreciative of the play in general and its doggerel verse in particular, it did start a new craze for dancing in long and "swishy" skirts as displayed by the female chorus.