Bowie's official website, stated it as "This version is a unique mix starting with the isolated piano motif from the track, building up into the chorus before ending on the a cappella backing vocals offering an insight into the individual elements that create the classic we all know and love".

"[8] At the Cannes Film Festival premiere in May 2022, Carey Matthew of Deadline Hollywood called it as "thundering soundtrack that literally shakes the seats".

[9] Kenji Fujishima of Slant Magazine wrote "Though Bowie’s music dominates the soundtrack (with his songs remixed for maximum heart-thumping arena-rock impact), the documentary also includes music inspired by the man’s art, including snippets from the Philip Glass symphonies based on Bowie’s Low and Heroes albums.

"[10] Max Bell of Classic Rock wrote "If it’s axiomatic that great artistic careers build to a form of crescendo then this double CD, the official soundtrack to Brett Morgen's anticipated documentary on the musical odyssey of David Bowie, meets that criterion.

Morgen’s work on Crossfire Hurricane, for the Rolling Stones, and Kurt Cobain: Montage of Heck, persuaded Bowie’s estate to give him carte blanche on over fifty years of material, utilising sonic enhancement, mixes that veer from the sublime to the ridiculously sublime, and a spoken word narrative of sorts that threads the meaning of time, death and faith.