[6] AllMusic's Matt Collar found this to be "an even more infectious, club-ready album" than its predecessor, and at the same time "still retaining all of the band's organic soulfulness.

"[10] At Los Angeles Times, Randall Roberts evoked that "there's a fine line between evolution and de-evolution, and which process Fitz and the Tantrums is experiencing on its sophomore effort", and this all relies "on what you liked about the L.A. band's breakout debut.

"[14] At Rolling Stone, Jody Rosen told that "the pleasures of the songcraft don't quite compensate for dopey lyrics, the bland vocals of Fitz and co-lead singer Noelle Scaggs, and the relentless spazzing-out.

"[16] The lone negative review came in from Alternative Press and Scott Heisel, and he criticized it with writing that "this is the most boring Hall & Oates record ever.

"[19] All tracks are written by Michael Fitzpatrick, Noelle Scaggs, James King, Jeremy Rezumna, Joseph Karnes, and John Wicks and produced by Tony Hoffer.