Mosè in Egitto

Riccardo Muti and many scholars consider Moïse et Pharaon, along with Guillaume Tell, to be among Rossini's greatest achievements: Mosè in Egitto, 1818 The opera was loosely based on the Exodus from Egypt of the Israelites, led by Moses, rendered agreeable to the opera stage by introducing a love theme, in which the Pharaoh's son Amenophis plans to prevent their departure, since he loves the Israelite Anaïs.

Billed in 1818 as an azione tragico-sacra, the sacred drama with some features of the oratorio circumvented proscriptions of secular dramatic performances during Lent.

Moïse et Pharaon, 1827 The greatly enlarged work set to a French libretto was composed with so much additional music, including a substantial ballet, as to warrant a new title, Moïse et Pharaon, ou Le passage de la Mer Rouge (Moses and Pharaoh, or The Crossing of the Red Sea) (pronounced [mɔiːz e faʁaɔ̃ u lə pasaːʒ də la mɛːʁ ʁuːʒ]), and was seen to be a separate and new opera alongside its Naples progenitor.

The French version, in four acts with a ballet, premiered on 26 March 1827 under the title Moïse et Pharaon, ou Le Passage de la Mer Rouge.

Mosè had "remained virtually unheard in Britain since a concert in 1822",[7] until a production was staged by Welsh National Opera in the 1964/5 season in Cardiff, Llandudno and London.

[2] The score calls for: 2 flutes/2 piccolos, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, serpent, timpani, bass drum, cymbals, triangle, Banda Turca, harp, strings.

Stage band: piccolo, quartino, 4 clarinets, 2 horns, 4 trumpets, 2 trombones, serpent, bass drum Darkness envelopes Egypt.

It has been brought about by God in order to punish the Pharaoh and his people because he has failed to allow the Hebrews to leave the country for the Promised Land across the Red Sea.

The Priest does not believe in Moses' powers and he agrees to find a way to prevent the exodus by encouraging the Egyptians to revolt against allowing the Hebrews to depart.

As the advancing Egyptians appear, the Hebrews are panicking, but Moses touches the waters with his staff and the Red Sea opens to provide a pathway to the opposite shore.

Disegno per copertina di libretto, drawing for Mosè in Egitto (undated).
Act 1 set design of the original 1827 production