[1] Yeosan Buin was worried by their pitiful condition, and bought fine cotton clothes and hats and fifty silver coins by selling her treasures she had brought from her family.
There, Namseonbi, dressed in expensive clothing and controlling a ship full of grain, looked as if he was a wealthy man.
Namseonbi was forced to build a hut out of rice stalks, with a door made of rotten wood.
Six of the seven sons dropped their things to greet their parents, but Nokdisaengin knew that the woman was not truly his mother, as Noiljadae did not share her umbrella with Namseonbi and her appearances and voice were different.
Namseonbi went to find him, and she ran to Jajeot Street and told him using a different voice that the cure would be to feed her the liver of Nokdisaengin.
The brothers then went to the village of Odong and prayed to the supreme deity Cheonjiwang for four days and nights for their mother back.
Four days later, Nokdisaengin met a crane that told him that it could fly to the fields of Seocheon, where flowers that could revive the body were grown.
When the crane reached the fields of Seocheon, the god of flowers, plants, and emotions, Hallakgungi, recreated Nokdisaengin's arm.
Finally, Nokdisaengin put the Honsalikkot (Flower that revives soul) on top of his unconscious mother.
Cheonjiwang made Yeosan Buin the Jowangsin, the goddess of the kitchen, hearth, and fire, to make up for her time in the icy lake.
Namseonbi became the Japsin (Evil spirit), defender of the dark fertilizer shed, because it was determined that he indirectly blinded himself.
Five of the seven brothers became the deities who each defend a cardinal direction: The eldest was Cheongje of the east, the second was Baekje of the west, the third Jeokje of the south, the fourth Heukje of the north, and the fifth Hwangje of the centre.
The Munjeon Bonpuli is told only in the island of Jeju, but it bears a similar plot to the Chilseong Puli of the mainland.
Similarities Differences Many things can be gleaned from the culture and beliefs of ancient Korea at the time from the Munjeon Bonpuli.
This 'evil stepmother' theme is common throughout Korean mythology and legends, and even European ones, such as Cinderella or Snow White.
As can be known, Koreans at the time believed that the door was a patriarchic area, contrary to the bathroom and the kitchen, considered to be feministic.