Early appearances of the mural crown occur in the Achaemenid Empire, where they resemble crenelations on Mesopotamian and Persian buildings.
The high cylindrical polos of Rhea/Cybele too could be rendered as a mural crown in Hellenistic times, specifically designating the mother goddess as patron of a city.
The Graeco-Roman goddess Roma's attributes on Greek coinage usually include her mural crown, signifying Rome's status as a loyal protector of Hellenic city-states.
[6] The Roman military decoration was subsequently employed in European heraldry, where the term denoted a crown modeled after the walls of a castle, which may be tinctured or (gold), argent (silver), gules (red), or proper (i.e. stone-coloured).
In Italy, comuni and some provinces and military corps have mural crowns on their coats of arms: gold with five towers for cities, and silver with nine-towered for others.