Mural crown

Early appearances of the mural crown occur in the Achaemenid Empire, where they resemble crenelations on Mesopotamian and Persian buildings.

The high cylindrical polos of Rhea/Cybele too could be rendered as a mural crown in Hellenistic times, specifically designating the mother goddess as patron of a city.

The Graeco-Roman goddess Roma's attributes on Greek coinage usually include her mural crown, signifying Rome's status as a loyal protector of Hellenic city-states.

[6] The Roman military decoration was subsequently employed in European heraldry, where the term denoted a crown modeled after the walls of a castle, which may be tinctured or (gold), argent (silver), gules (red), or proper (i.e. stone-coloured).

In Italy, comuni and some provinces and military corps have mural crowns on their coats of arms: gold with five towers for cities, and silver with nine-towered for others.

Depiction of Darius the Great wearing an early mural crown on the Behistun inscription
Mural crown on city goddess (silver tetradrachm issued by Smyrna , 160–150 BC)
The Tyche of Antioch , Roman version of a 3rd-century BC bronze by Eutychides
A heraldic mural crown