Murals from the Christian temple at Qocho

In his left hand he wields a golden thurible, the smoke is represented by a swift upward wavy line that dissolves in spirals at the top.

The second male figure has a large, black and frustoconical hat worn on his head; on the feet both wear brownish coloured shoes.

The female figure on the right is dressed in banbi and ruqun, the traditional Chinese attires which consist of a short, long-sleeved green jacket, reaching only to the middle of the upper part of the body, and a long skirt, which covers the feet; a brown cloak or scarf covered, slightly thrown over the right half of the body from the shoulder to about half of the thigh, and the left shoulder to the chest.

The three worshippers may be compared with the figures of Uyghur princes and princesses holding flowers in the cave paintings at Bezeklik.

[1] The Japanese professor Tōru Haneda [ja] also considers the mural to be a depiction of Palm Sunday; another Japanese scholar Daijirō Yoshimura (吉村大次郎) argues that the larger figure on the left representing Jesus Christ, the three figures on the right represent Saint Peter, Saint John and Mary Magdalene.

[5] She is in a long, reddish brown dress with wide, loose sleeves, which conceal the hands folded on the front body.