Murray Kinnell

Murray Kinnell (24 July 1889 – 11 August 1954) was a British-born American actor, recognized for playing smooth, gentlemanly, although rather shady characters.

He began acting on the English stage in 1907,[1] toured in the United States from 1912 through 1914, then returned to England where he served in the British Army during World War I.

[11][12] The following year he joined the Annie Russell Old English Comedy Company, playing throughout the eastern US in She Stoops to Conquer, The Rivals, and The School for Scandal.

[23] Following military service, Kinnell next appeared in a production of The Merchant of Venice at the Court Theatre in London that ran from October 1919 through February 1920.

[27][28] Later that year Kinnell joined the St. James Theater company in the English debut of The Jest, a three-month tour that also included his wife in the cast.

[31] While his wife returned to America for a role in a Broadway production, Kinnell joined the Henry Baynton company and performed a large reperatoire of drastically pruned Shakespeare from June 1921 thru November 1922.

[39] Kinnell returned to England where he next performed during July 1924 in an original work by Joshua Jordan called The Dream Kiss, described as "a farce of somnambulism".

[40] It hardly seemed worth the trip, for he was next cast during September 1924 in the Broadway production of Hassan, based on the verses of James Elroy Flecker.

[41] This spectacle dispensed with tryouts due to its massive scale (some 200 performers including 60 principals and 70 dancers), perhaps relying on the success the production had in London the previous year.

[44] While Kinnell was in Canada, his wife Henrietta Goodwin had a small part in Old English on Broadway, a play by John Galsworthy that starred George Arliss.

[60] After it closed, Kinnell took over the male lead in the touring company for the Broadway production of Young Love that starred Dorothy Gish.

[63] Renamed to The Royal Virgin on Broadway, The New York Times found it competent but dull, saying: "...the best performing of the play was Murray Kinnell's crafty, serpentine portrayal of Cecil".

[73] His derelict artist turned beachcomber, shown openly living with a Hawaiian woman, was the most interesting character in that early Charlie Chan film, released in July 1931.

[74] After playing three well-received and memorable roles in the first six months of 1931, the remaining movies Kinnel did that year provided him far less attention and enthusiasm from reviewers.

[86] Arliss, who had left Warners for the new 20th Century Fox studio, cast Kinnell as one of the brothers in The House of Rothschild, released in March 1934.

[92] Hoping to repeat the success of The House of Rothschild, 20th Century Fox mounted another historical tale around an English company in Lloyd's of London, released in November 1936.

[93] Kinnell's last two films were an uncredited bit in Parnell,[94] and a major part in the Grade B mystery, Think Fast, Mr. Moto, both released in summer 1937.

[95] Though he wasn't a pioneering member of the Screen Actors Guild (SAG), Kinnell joined that trade union within a few years of its founding.

[96] He was business chairman for the annual SAG fundraising society ball,[97] and he handled issuing temporary credentials for journalists visiting movie lots.

[98] SAG officials appointed him in 1939 to be the Guild's representative for arbitration hearings with the Motion Picture Producers (MPP) over contract disputes.

[100] During 1943 Kinnell was again appointed as arbitrator in a dispute involving a pay hike demanded by SAG for over 5000 extras, stand-ins, stuntmen, body doubles, and singers.

[104] Kinnell's 1928 Petition for Naturalization listed his description at age 39 as 5' 9 1/2" (176.5 cm) tall, weighing 145 pounds (65.8 kg), with gray eyes and brown hair.

[107] According to newspaper accounts, Kinnell habitually wore a monocle in private life,[108] and once told an interviewer "I became an actor because I didn't know any better".

[111] Kinnell and his son Peter were part of the traveling Hollywood team that took on and beat a Vancouver eleven at a Cricket Jubilee in British Columbia.