While living in the Villa des Brillants, Rodin used the Hôtel Biron as his workshop from 1908, and subsequently donated his entire collection of sculptures – along with paintings by Vincent van Gogh, Claude Monet and Pierre-Auguste Renoir that he had acquired – to the French State on the condition that they turn the buildings into a museum dedicated to his works.

The artist showed indeed a great interest for this science and art, and he has collaborated with many photographers, such as Eugène Druet, Jacques-Ernest Bulloz, Adolphe Braun or Edward Steichen.

Subjects and themes are varied, Rodin's personal albums attest to his centres of interest and artistic sources, while the portraits and newspaper photographs illustrate his work and his life.

During the twenty last years of his life, as he was living in Meudon, Rodin started a collection of ancient works of art from Egypt, Greece and Rome, then later from the Far East.

In addition, Rodin's friendships and tastes led him to surrounding himself with works by the Naturalists (Théodule Ribot, Alfred Roll) and Symbolists (Eugène Carrière, Charles Cottet...).

Through a series of exchanges made with his artists friends, Rodin owned works of art from Jules Dalou, Alexandre Falguière or Jean-Paul Laurens.

First opened to the public on 4 August 1919, the Musée Rodin was housed in a mansion, formerly called the Hôtel Peyrenc de Moras, designed with the lines of classical architecture and ornamented with rocaille decoration.

Awaiting a buyer, tenants were allowed to occupy the building; among them were Jean Cocteau, Henri Matisse, Isadora Duncan and Rainer Maria Rilke, whose future wife Clara Westhoff was living in the Hôtel and was the first to tell Rodin about the estate.

Listed as a historical monument in 1926, the Hôtel Biron and its grounds have since undergone major renovation and restoration work, to better assert their role as a museum.

[2] On December 19, 1895, Rodin purchased a Louis XIII-style house in brick and stone, built on the heights of Meudon and called "La Villa des Brillants".

In 1900, almost 50 people, including sculptor's assistants, workers and casters, were employed there by Rodin and, although he continued to go to his Paris studios daily, his major creative work was done in Meudon.

Inaugurated in 1948, the museum also permits to glimpse numerous plasters, including casts for Rodin's monumental works, such as the Burghers of Calais and the Gates of Hell which allow to discover the different steps of the creative process.