On 11 May 1770 and a fourteen-year-old Wolfgang Amadeus Mozart arrived in ancient Suessa and then in Capua to rest in two stages during the journey to Naples.
By the 18th century, Naples was nicknamed the "conservatory of Europe" and was home and workshop to composers such as Alessandro Scarlatti, Pergolesi, Niccolò Piccinni, Domenico Cimarosa, Rossini, Bellini, Donizetti, etc.
Under the short French rule of Murat in the early 19th century, the original four conservatories were consolidated into a single institution, which was relocated in 1826 to the premises of the ex-monastery, San Pietro a Maiella.
The period since 1950 has produced such songs as Malafemmena by Totò, Maruzzella by Renato Carosone, Indifferentemente by Mario Trevi and Carmela by Sergio Bruni.
A handle attached to the membrane compresses air rhythmically within the chamber; the air then spurts out of the not-quite-hermetic seal that fastens the membrane to the wooden body of the instrument to produce a "burping" sound; Often combining dance, music, and drama, the subject matter and approach to vocalizing are quite distinct from the composed stylings of the better-known Neapolitan song.
The traditional Neapolitan mandolin is tear-shaped with a bowl back and a uniquely cut and shaped front (sounding board); it has eight strings paired into the four violin tunings of g, d', a', and e'.
In spite of the modern vision of the mandolin as a quaint vehicle for older, traditional popular music such as the Canzone Napoletana, the instrument has a classical history.
Students of the mandolin at the Naples Conservatory are required to perform selections from a large repertoire of music composed especially for the instrument by, among others, Vivaldi, Beethoven and Paganini.
The form has been called "a musical soap opera" and generally revolves around domestic grief, the agony of leaving home, personal deceit and treachery, betrayal in love, and life in the world of petty crime.
The sceneggiata started shortly after World War I, was extremely popular in the 1920s, then faded, but has been enjoying somewhat of a comeback with newer generations of performers since the 1960s.
Essentially, it is a collection of well-known Neapolitan songs composed in the late 19th and early 20th centuries, such as Marechiaro and Rundinella, backed by north African string and percussion instruments.
The first Italian "musical" was Carosello Napoletano, first a stage production and then a 1953 film directed by Ettore Giannini and featuring a young Sophia Loren in the cast.
With the resurrection of the mammoth overseas fair grounds, the Mostra d'Oltremare (originally built in the 1930s) in the nearby community of Fuorigrotta, the Teatro Mediterraneo on those premises is now, as well, a frequent stage for all types of musical performances.
It has an impressive program of traditional Neapolitan plays and musicals, an art gallery, very good acoustics, and will soon have a permanent multimedia exhibit dedicated to Enrico Caruso.
The theater is located, appropriately, in a traditional part of town, Piazza Calenda, at the extreme eastern edge of the old historic center of Naples.