[4] Williams supported the album with a short tour, which included playing the Calgary Folk Music Festival.

"[22] Trouser Press thought that "the album's relaxed pace rests the singer comfortably in her own jazz-folk niche, and she has never sounded more at home.

"[1] The Boston Globe stated: "High and quavery as a child at points, her Melanie-like voice makes even her most sophisticated songs sound as simple as a sing-along.

"[21] Entertainment Weekly determined that "what's truly remarkable about these songs is how they manage to radiate a sense of wonder without sounding cloyingly precious.

"[26] The Hamilton Spectator noted that, "by providing an atmosphere conducive to Williams' charms, Shoemaker ... has produced a bewitching, gratifying record that finally capitalizes on the singer's unique gifts.