For most of their career, the band had a 7–8 piece lineup and drew from a wide range of musical styles, including punk rock, pop, and folk.

Chumbawamba formed in Burnley in 1982 with an initial line-up of Allan "Boff" Whalley, Danbert Nobacon (born Nigel Hunter), and Midge, all three previously members of the band Chimp Eats Banana, shortly afterwards joined by Lou Watts.

[1] They were initially inspired musically by bands as diverse as the Fall, PiL, Wire, and Adam and the Ants and politically by the anarchist stance of Crass.

[1] By the end of 1982, the band had expanded to include Alice Nutter (of Ow My Hair's on Fire), and Dunstan "Dunst" Bruce (of Men in a Suitcase) and were living in a squat in Armley, Leeds, on Carr Crofts road.

[2] Harry "Daz" Hamer and Mavis "Mave" Dillon (aka David Mills, Man Afraid) - members, along with Whalley, of Barnsley punk band Passion Killers - joined soon after.

[1] The first LP, Pictures of Starving Children Sell Records (1986), was a critique of the Live Aid concert organised by Bob Geldof, which the band argued was primarily a cosmetic spectacle designed to draw attention away from the real political causes of world hunger.

[6] Chumbawamba's second album, Never Mind the Ballots...Here's the Rest of Your Lives, was released in 1987, coinciding with the general election, and questions the validity of the British democratic system of the time.

The band members quit their day jobs to begin concentrating on music full-time as they could now guarantee sales of 10,000 and they moved away from their original anarcho-punk roots, evolving a pop sensibility with releases such as Slap!

After signing to the independent One Little Indian record label, Anarchy (1994) lyrically remained as politically uncompromising as ever, continuing to address issues such as homophobia (see song "Homophobia",[7] the music video of which features the Sisters of Perpetual Indulgence), the Criminal Justice Act and the rise of fascism in the UK following the election of Derek Beackon, a British National Party councillor in south-east London in 1993.

Chumbawamba parted with One Little Indian during the recording of the 1996 album Swingin' with Raymond, although they did release one last CD entitled Portraits of Anarchists, which came with copies of Casey Orr's book of the same name.

The anarcho-punk band Oi Polloi (with whom Chumbawamba had previously toured and worked with on the 'Punk Aid' Smash the Poll Tax EP ) released an 'anti-Chumbawamba' split EP with Riot/Clone, Bus Station Loonies, Anxiety Society, The Chineapple Punks, Love Chips and Peas, and Wat Tyler, called Bare Faced Hypocrisy Sells Records (Ruptured Ambitions 1998).

Chumbawamba argued that EMI had severed the link with weapons manufacturer Thorn a few years previously, and that experience had taught them that, in a capitalist environment, almost every record company operates on capitalist principles: "Our previous record label One Little Indian didn't have the evil symbolic significance of EMI however they were completely motivated by profit."

During this period Chumbawamba gained some notoriety over several controversial incidents, starting in August 1997 when Nutter was quoted in the British music paper Melody Maker as saying, "Nothing can change the fact that we like it when cops get killed.

[13] The band resisted pressure from EMI to issue an apology and Nutter only clarified her comment by stating, "If you're working class they won't protect you.

[14] A few weeks later, provoked by the Labour government's refusal to support the Liverpool Dockworkers' Strike, the band performed "Tubthumping" at the 1998 BRIT Awards with the lyric changed to include "New Labour sold out the dockers, just like they'll sell out the rest of us", and vocalist Danbert Nobacon later poured a jug of water over UK Deputy Prime Minister John Prescott, who was in the audience.

The band would send another free single out two years later, this time a re-worked version of the Beatles' song "Her Majesty" to coincide with the Queen's Golden Jubilee, with lyrics denouncing royalty.

The band later said that they got what they wanted from the deal with EMI: "we released some great records, we travelled all over the world, appeared on all these TV programmes, and we made loads of money, a lot of which we gave away or ploughed into worthwhile causes".

In late 2009 Chumbawamba toured northern England in their self-penned pantomime, a comedy musical entitled Riot, Rebellion & Bloody Insurrection with the Red Ladder Theatre Company.

They stated they would continue with individual efforts, and ended their official statement:[23] We do, of course, reserve the right to re-emerge as Chumbawamba doing something else entirely (certainly not touring and putting out albums every 2 or 3 years).

[26] In August 2017, Dunstan Bruce, Boff Whalley and Jude Abbott were interviewed on BBC's The One Show from the Leeds City Varieties and near their former home celebrating 20 years since the release of "Tubthumping".

[29] On 1 July 2015 Dunstan Bruce started a Kickstarter to fund a documentary titled I Get Knocked Down (The Untold Story of Chumbawamba) that told the band's entire history from different members' perspective.

[30] That same year, Chumbawamba was the featured subject on two podcasts produced by Gimlet Media: StartUp #16 "The Secret Formula"[31] and Surprisingly Awesome #4 "Tubthumping".

[33] Boff Whalley has written that in the early days of his 2016 presidential campaign, Donald Trump had used "Tubthumping" in his rallies; the group denied him the right to do so.

Whalley said that "There have been many, many examples of rightwing populist leaders using ostensibly leftwing music to hoodwink their audiences into some kind of hypnotic self-delusion that they are 'of the people'.

"[43] Relatedly, in 2024, Chumbawamba made headlines in New Zealand, when Deputy Prime Minister Winston Peters used "Tubthumping" throughout his election campaign and during his state of the nation speech.

In a statement, Boff Whalley said, "Tubthumping" was written "as a song of hope and positivity, so it seems entirely odd that the 'I get knocked down...' refrain is being used by New Zealand's deputy prime minister Winston Peters as he barks his divisive, small-minded, bigoted policies during his recent speeches".