[5] Grażyna Kulczyk acquired the museum building and three other old Engadine houses on the same street and commissioned the architect duo Chasper Schmidlin and Lukas Voellmy to develop the Muzeum Susch project from the complex.

[6] Since all buildings are under cantonal monument protection, an extension of the exhibition space was only possible inside the mountain, while the existing structures were subtly restored and recombined.

The Bieraria Veglia is accessed through a pre-existing underground passage, where exhibition space and the headquarters of the Muzeum Susch/Art Stations Foundation CH are housed.

Monika Sosnowska’s 'Stairs' (2017),[13] a 14m steel spinal column structure, was one of the first site-specific works to arrive at Muzeum Susch, and it sits in the former ice tower of the brewery.

Large Vanitas Still Life (1995/2017) by Zofia Kulik,[20] Inn Reverse (2018) by Sara Masüger,[21] Painkillers (2014 – 2017) by Joanna Rajkowska,[22] Real Nazis (2017) & Untitled (Story of the Eye, 2013) by Piotr Uklański,[23] From the Series The Theater of Disappearance XXXI (2018) by Adrián Villar Rojas,[24] Tuor per Susch (Tower for Susch), 2020] by Not Vital[25] and Listening by Eye by Jarosław Kozłowski.

[26] Created and curated by Joanna Lesnierowska, Acziun Susch is a research and presentation platform bringing forward the art of choreography in dialogue with other disciplines and providing the dance community with a meeting point in the Swiss Alps.

Since 2004 Art Stations Foundation by Grażyna Kulczyk has been providing extensive support to the development of contemporary choreography through its performative programme based in Poznań, recognized internationally under the name Stary Browar Nowy Taniec / Old Brewery New Dance.