Mystery fiction

The central character is often a detective (such as Sherlock Holmes), who eventually solves the mystery by logical deduction from facts presented to the reader.

As people began to crowd into cities, police forces became institutionalized, and the need for detectives was realized – thus the mystery novel arose.

[6] An early work of modern mystery fiction, Das Fräulein von Scuderi by E. T. A. Hoffmann (1819), was an influence on The Murders in the Rue Morgue by Edgar Allan Poe (1841) as may have been Voltaire's Zadig (1747).

In 1887 Arthur Conan Doyle introduced Sherlock Holmes, whose mysteries are said to have been singularly responsible for the huge popularity in this genre.

Comic books and graphic novels have carried on the tradition, and film adaptations or the even-more-recent web-based detective series, have helped to re-popularize the genre in recent times.

Cozy mysteries began in the late 20th century as a reinvention of the Golden Age whodunit; these novels generally shy away from violence and suspense and frequently feature female amateur detectives.

This genre features minimal violence, sex and social relevance, a solution achieved by intellect or intuition rather than police procedure, with order restored in the end, honorable characters, and a setting in a closed community.

These stories may take a variety of forms, but many authors try to realistically depict the routine activities of a group of police officers who are frequently working on more than one case simultaneously, providing a stark contrast to the detective-as-superhero archetype of Sherlock Holmes.

Unlike the heroes of Christie, Chandler, and Spillane, the police detective was subject to error and was constrained by rules and regulations.

An inverted detective story, also known as a "howcatchem", is a plot structure of murder mystery fiction in which the commission of the crime is shown or described at the beginning, usually including the identity of the perpetrator.

Martin Hewitt, created by British author Arthur Morrison in 1894, is one of the first examples of the modern style of fictional private detective.

Popular pulp fiction magazines like Black Mask capitalized on this, as authors such as Carrol John Daly published violent stories that focused on the mayhem and injustice surrounding the criminals, not the circumstances behind the crime.

Very often, no actual mystery even existed: the books simply revolved around justice being served to those who deserved harsh treatment, which was described in explicit detail."

His style of crime fiction came to be known as "hardboiled", which is described as a genre that "usually deals with criminal activity in a modern urban environment, a world of disconnected signs and anonymous strangers."

According to the best-selling author Michael Connelly,"Chandler credited Hammett with taking the mystery out of the drawing-room and putting it out on the street where it belongs.

Despite struggling through the task of plotting a story, his cadenced dialogue and cryptic narrations were musical, evoking the dark alleys and tough thugs, rich women and powerful men about whom he wrote.

James Hadley Chase wrote a few novels with private eyes as the main heroes, including Blonde's Requiem (1945), Lay Her Among the Lilies (1950), and Figure It Out for Yourself (1950).

The PI novel was a male-dominated field in which female authors seldom found publication until Marcia Muller, Sara Paretsky and Sue Grafton were finally published in the late 1970s and early 1980s.

These works are set in a time period considered historical from the author's perspective, and the central plot involves the solving of a mystery or crime (usually murder).

Though works combining these genres have existed since at least the early 20th century, many credit Ellis Peters's The Cadfael Chronicles (1977–1994) for popularizing what would become known as the historical mystery.

Following other conventions of classic detective fiction, the reader is normally presented with the puzzle and all of the clues, and is encouraged to solve the mystery before the solution is revealed in a dramatic climax.

Cover of the pulp mystery-fiction magazine Mystery (January 1934)