Utilising classical Tamil poetic conventions and interspersing stories from the Vedas and the Puranas, Andal creates imagery that is paralleled in all of the whole gamut of Hindu religious literature.

The eighth tirumoli called Vinneela Melappu and it deals with Andal telling the clouds in Srivilliputhur and sending them as her messenger to Vishnu, who is present in Tirupati.

The remaining ninth, tenth, eleventh, twelfth, thirteenth tirumolis are dedicated to different things done by Andal to speed up her union with Vishnu which happened finally in the end.

[7] Some of Andal's verses express love for Vishnu, written with bold sensuality and startlingly savage longing, hunger and inquiry, that even today many of her most desirous poems in Nachiyar Tirumoli are rarely rendered publicly.

[8] In one such verse, Andal dispenses with love and shows that she herself is in lying in the hands of Vishnu, and loving with him:[9] My life will be spared, only if he will come, to stay for me for one night, If he will enter me, so as to leave, the imprint of his saffron paste, upon my breasts, mixing, churning, maddening me inside, gathering my swollen ripeness, spilling nectar, as my body and blood, bursts into flower!

[16][17] In one of her poems, Andal says that her voluptuous breasts will swell for Vishnu alone, and hates mating with humans, comparing that with the sacrificial offerings to the deities made by Brahmanas being attempted to be violated by jackals in the forests and be driven away and completed finally,[18] and in another verse, she dedicates her swelling breasts to Vishnu who carries a conch and a discus.

[11][19] The hymns of the Naalayira Divya Prabandham are regularly sung in all of the Vishnu and Lakshmi temples of the Indian subcontinent daily and also during festivals.