Tell Brak

[3] Its remains constitute a tell located in the Upper Khabur region, near the modern village of Tell Brak, 50 kilometers north-east of Al-Hasaka city, Al-Hasakah Governorate.

The city never regained its former importance, remaining as a small settlement, and abandoned at some points of its history, until disappearing from records during the early Abbasid era.

Tell Brak was a religious center from its earliest periods; its famous Eye Temple is unique in the Fertile Crescent, and its main deity, Belet Nagar, was revered in the entire Khabur region, making the city a pilgrimage site.

[10] The name "Nagar" ceased occurring following the Old Babylonian period,[11][12] however, the city continued to exist as Nawar, under the control of Hurrian state of Mitanni.

[21] Excavations and surface survey of the site and its surroundings, unearthed a large platform of patzen bricks that dates to late Ubaid,[note 1][21] and revealed that Tell Brak developed as an urban center slightly earlier than better known cities of southern Mesopotamia, such as Uruk.

[29] Comparison can be made with Hamoukar in LC1-2 period, where the early urban settlement has been described as "a vast low or flat scatter of pottery and obsidian".

[64] At its height, Nagar encompassed most of the southwestern half of the Khabur Basin,[64] and was a diplomatic and political equal of the Eblaite and Mariote states.

[65] The kingdom included at least 17 subordinate cities,[66] such as Hazna,[67] and most importantly Nabada, which was a city-state annexed by Nagar,[68] and served as a provincial capital.

[63] However, a few years later, a treaty was concluded, and the relations progressed toward a dynastic marriage between princess Tagrish-Damu of Ebla, and prince Ultum-Huhu, Nagar's monarch's son.

[70] Later, Ebla's king Isar-Damu concluded an alliance with Nagar and Kish against Mari,[71] and the campaign was headed by the Eblaite vizier Ibbi-Sipish, who led the combined armies to victory in a battle near Terqa.

[81] The early Akkadian monarchs were occupied with internal conflicts,[82] and Tell Brak was temporarily abandoned by Akkad at some point preceding the reign of Naram-Sin.

[91] The most important Akkadian building in the city is called the "Palace of Naram-Sin",[note 6][91] which had parts of it built over the original Eye Temple.

[103] Few short lived houses were built in area CH during period N,[103] and although greatly reduced in size, archaeology provided evidence for continued occupation in the city, instead of abandonment.

[51] The Urukean colony was abandoned by the colonists toward the end of the fourth millennium BC, leaving the indigenous Tell Brak a much contracted city.

[38] The temple was probably dedicated for the Sumerian Innana or the Semitic Ishtar; Michel Meslin hypothesized that the "Eyes" figurines were a representation of an all-seeing female deity.

[note 12][121][148] The excavations in area TW revealed feasting to be an important local habit, as two cooking facilities, large amounts of grains, skeletons of animals, a domed backing oven and barbequing fire pits were discovered.

[154] Tell Brak provided great knowledge on the culture of Mitanni, which produced glass using sophisticated techniques, that resulted in different varieties of multicolored and decorated shapes.

[115] Samples of the elaborate Nuzi ware were discovered, in addition to seals that combine distinctive Mitannian elements with the international motifs of that period.

[79] However, central control was tightened and the number of Akkadian officials increased, following the supposed environmental event that preceded the construction of Naram-Sin's palace.

[113] The post-Akkadian Nagar was a city-state kingdom,[163] that gradually lost its political importance during the early second millennium BC, as no evidence for a king dating to that period exists.

[45] The city manufactured different objects, including chalices made of obsidian and white marble,[36] faience,[168] flint tools and shell inlays.

[169] However, evidence exists for a slight shift in production of goods toward manufacturing objects desired in the south, following the establishment of the Uruk colony.

[83] The kingdom produced glass,[168] wool,[64] and was famous for breeding and trading in the Kunga,[170][171] a hybrid of a jenny (a female donkey) and a male Syrian wild ass.

[115] The city provided evidence for the international commercial contacts of Mitanni, including Egyptian, Hittite and Mycenaean objects, some of which were produced in the region to satisfy the local taste.

[175] The kungas of Nagar were in great demand in the Eblaite empire;[170] they cost two kilos of silver, fifty times the price of a donkey,[174] and were imported regularly by the monarchs of Ebla to be used as transport animals and gifts for allied cities.

[176][4] After a survey of the area in 1934, Tell Brak was excavated for three seasons by the British archaeologist Sir Max Mallowan, husband of Agatha Christie, in 1937 and 1938.

Finds included a large cache of carnelian, gold, silver, and lapis lazuli beads, late 3rd millennium arrowheads, stone maceheads, a range of ceramic wares, and an alabaster statuette of a seated bear.

[194] The most recent excavations took place in the spring of 2011, but archaeological work is currently suspended due to the ongoing Syrian Civil War.

[195] A number of Proto-Literate clay tokens were found at the site, mainly in Uruk leveling fill but in one case in a stratified context.

[197] The site changed hands between the different combatants, mainly the Kurdish People's Protection Units and the Islamic State of Iraq and the Levant.

General view of Tell Brak.
Tell Brak's periods.
Eye figurines from the Eye Temple.
Palace of Naram-Sin .
The Mitannian palace.
Area TW
A drawing of a seal from Nabada, pre-Akkadian kingdom of Nagar, in "Brak Style"
Tell Brak's landmarks
Brak akkadian tablet BM 131738