Puti later finds out Subhash da is set to be marrying her elder sister and unable to cope with the trauma, she runs away from home to the ghetto of eunuchs in Kolkata where she becomes a disciple of their Guru ma Arati.

Puti elopes from her community; as leaving the ghetto premises without informing their Guru ma is prohibited and goes to Krishnanagar with Madhu da to meet Manabi Bandyopadhyay who is a well known openly transgender woman.

Remembering past events with her ex lover combined with the emotions of the kirtan she breaks down and loses her wig in the process, exposing her real short hair to the full court.

The fabric of Ganguly's film moves beyond the binaries of a linear and complex narrative and instead brings forth a breathtaking ruthlessness that mirrors the hidden lives and traumas of the Transgender/ Hijra/ Intersex/ gender non-conforming communities.

In a society that largely considers trans bodies as dustbins to dump its traumas and miscarriages of justice, the film signals a language of change that can be used to build a narrative of resistance.