Nandalal Bose

He was influenced by the Tagore family and the murals of Ajanta; his classic works include paintings of scenes from Indian mythologies, women, and village life.

Nandalal Bose was born on 3 December 1882 in a middle-class Bengali family at Haveli Kharagpur, in Munger district of Bihar state.

He had become part of an international circle of artists and writers seeking to revive classical Indian culture; a circle that already included Okakura Kakuzō, William Rothenstein, Yokoyama Taikan, Christiana Herringham, Laurence Binyon, Abanindranath Tagore, and the seminal London Modernist sculptors Eric Gill and Jacob Epstein.

[citation needed]His genius and original style were recognised by artists and art critics like Gaganendranath Tagore, Ananda Coomaraswamy and O. C.

[11] He was also asked by Jawaharlal Nehru to sketch the emblems for the Government of India's awards, including the Bharat Ratna and the Padma Shri.

[16] Today, the National Gallery of Modern Art in Delhi holds 7000 of his works in its collection, including a 1930 black and white linocut of the Dandi March depicting Mahatma Gandhi, and a set of seven posters he later made at the request of Mahatma Gandhi for the 1938 Haripura Session of the Indian National Congress.

Like Raphael, Nandalal was a great synthesizer, his originality lay in his ability to marshal discrete ideas drawn from Abanindranath Tagore, Rabindranath Tagore, E. B. Havell, Ananda Coomaraswamy, Okakura Kakuzo and Mahatma Gandhi into a unique and unified programme for the creation of a new art movement in India.

And like Durer he combined a passion bordering on devotion with an irrepressible analytical mind that compelled him to prise open different art traditions and unravel their syntactic logic, and make them accessible to a new generation of Indian artists.

But he did this so quietly and without self-assertive fanfare that the significance of his work is yet to be fully grasped even in India.Some of his notable students were Benode Behari Mukherjee, Ramkinkar Baij, Beohar Rammanohar Sinha, K. G. Subramanyan, A. Ramachandran, Pratima Thakur, Jahar Dasgupta, Satyajit Ray, Dinkar Kaushik, Amritlal Vegad, Kiron Sinha, A.D.Jayathilake (1756).

Yama and Savitri , from a painting by Nandalal Bose, 1913
Untitled by Nandalal Bose, 1954, Collage and ink on paper, DAG Museums
Illustration of the poem Rikto (রিক্ত; Empty ) in Rabindranath Tagore's Chharar Chhabi (ছড়ার ছবি).