[9] Her textiles often combine stitched words with quilts and dolls that draw upon Modoc and Klamath history.
[2] Her aunt taught her quilt making when Ball was young, inspiring the adult artist to challenge assumptions about materials, matrilineal craft, and textiles.
[10] Ball's installation at the 2015 One Flaming Arrow Indigenous Art, Music, & Film Festival in Portland, Oregon incorporated a variety of materials.
These included coyote heads, Ball's handmade quilts, and original 19th century newspaper clippings about her great-great-grandfather Kientpaush.
Oregon Public Broadcasting noted that freshly cut wood in the installation, "Mapping Coyote Black," rendered the gallery "thick and sweet with piney smells.