He studied at the Free Russian Academy in Paris, working in the studio of Wladimir Baranoff-Rossine, and had contact with Marc Chagall, Alexander Archipenko, and David Shterenberg.
In 1918, he was the member of the Board for Artistic Matters within the Department of Fine Arts of the People's Commissariat of Enlightenment together with Malevich, Baranoff-Rossine and Shevchenko.
In the same year he had an exhibition with the group Jewish Society for the Furthering of the Arts in Moscow, together with Wladimir Baranoff-Rossine, El Lissitzky and the others.
In this same year, he installed a temporary work of architectural sculpture in Palace Square to commemorate the 1st anniversary of the October Revolution.
In the same year, he participated in the exhibition From Impressionism to Cubism in the Museum of Painterly Culture in Petrograd, Soviet Union (now Saint Petersburg, Russia).
In 1923 a volume of his Jewish graphic art, Evrejskaja grafika Natana Al'tmana: Tekst Maksa Osborna [Max Osborn], was published in Berlin.