[2] Above the entrance of the museum is a large mural mosaic titled The Albanians that depicts purported ancient to modern figures from Albania's history.

The work is the result of five Albanian artists: Vilson Kilica, Anastas Kostandini, Agim Nebiu, Justin Droboniku and Aleksander Filipi.

The communist worker, depicted to the left of the central woman, originally carried a red book in his right hand, that was replaced by an empty sack.

The handover of power from Skuraj to Topiaj is expressed in the heraldic emblem of Karl Topia located in the monumental portal of the monastery of John Vladimir in Elbasan.

The short reign of Prince Wied in Albania in 1914 marks an important moment in the history of the establishment of the foundations of the Albanian state.

In the areas of this pavilion is the corner dedicated the patriotic contribution of Fan S. Noli one of the outstanding figures in the history of the Albanian nation and the state of the 20th century.

Chronologically, the pavilion displays the ensuing events related to the installation of the fascist regime in Albania on 7 April 1939 and the beginning of organized antifascist resistance.

In this pavilion, there are also documents which reflect the support, sheltering, and protection of the Jewish population during the Holocaust in Albania, an expression of the deep humanism of the Albanian people.

An important part of the Pavilion are the documentary and photographic materials which reflect the cleansing operations against the anticommunist forces, a special court against the political opponents during the war as well as the liquidation of the anti-communist opposition.

In the stands of the pavilion there are photos of global personalities who met Mother Teresa as Jacques Chirac, Bill Clinton, Tony Blair, Ibrahim Kodra etc.