[1] Raised in a Catholic family,[2] she was the daughter of garage owner André Campo and secretary Simone Frenisy.
Her husband resented her new-found autonomy, but she began to resist him, especially after she started psychoanalysis in 1973, which helped her realise that she was being abused.
[2] She joined the Souffles d'Elles, which published works about her paintings,[3] and was a member of the Société des Artistes Français, among various other cultural associations.
[6] In an interview with the Archives du Feminisme, when asked who her favourite feminist was, she responded "To name one would be to betray the others and establish a hierarchy.
Her favourite subjects for still life photos were potatoes that were in the process of sprouting, which she depicted as "a sign of the eternal slavery of women", as well as "weapons to be thrown at the head of one's oppressor".
[1] Her work, including over 1,600 hours of radio broadcasts, has been collected and digitised by the Centre des Archives du féminisme.