[2] Others closely associated were the Scottish (as Hendry was) poets G. S. Fraser and Norman MacCaig, although the latter saw his work from Riding Lights (1955) onwards as part of "the long haul towards lucidity" after his Apocalyptic start.
Others sometimes mentioned in this connection include Ruthven Todd, Tom Scott, Hamish Henderson, Maurice Lindsay, Edwin Morgan, Burns Singer, and William Montgomerie.
The other poets in the three anthologies were Ian Bancroft, Alex Comfort, Dorian Cooke, John Gallen, Wrey Gardiner, Robert Greacen, Robert Herring, Seán Jennett, Nicholas Moore, Philip O'Connor, Leslie Phillips, Gervase Stewart, Dylan Thomas, Vernon Watkins, and Peter Wells.
This is much more debatable; it may be something of a flag of convenience for those such as the followers of Dylan Thomas and George Barker whose style marked them off, or on the other hand a tag for those addressed polemically and retrospectively by the Robert Conquest introduction to the New Lines anthology.
This was in the introduction to an anthology Images of Tomorrow, which also points out that the debate over the 'romanticism' was also a fissure within the Christian poets over style—indeed harking back to the religious and psychological depths of apocalypse.