New System of Musical Theory

The New System of Musical Theory (French: Nouveau système de musique théorique) published in 1726, is the second treatise on musical theory written by the composer Jean-Philippe Rameau.

[1][2] Rameau wrote the work four years after the publication of his first theoretical work, the Treatise on Harmony Reduced to its Natural Principles (French: Traité de l'harmonie réduite à ses principes naturels) (1722).

[3] However, some time after publishing his Treatise, Rameau became aware of the work of the scientist Joseph Sauveur who had described the phenomenon of overtones and codified the harmonic sequence scientifically.

[3] The title Rameau chose for his new work was taken from the title of Fontenelle's report to Royal Academy of Sciences on Sauveur's work (Sur un nouveau système de musique).

[4] The New System introduced some important new theoretical ideas, including geometric proportion and the concept of the subdominant.

Title page of Rameau’s New System of Musical Theory
Table showing chord progression from Rameau’s New System of Musical Theory
Illustration of continuo and fundamental bass in Rameau’s New System of Musical Theory