Newport Casino

Built in 1879–1881 by New York Herald publisher James Gordon Bennett, Jr., it was designed in the Shingle style by the newly formed firm of McKim, Mead & White.

James Gordon Bennett, Jr. was a summer resident of Newport and in August 1879 paid $60,000[5] to acquire the Sidney Brooks estate "Stone Villa" (demolished in 1957, the Bellevue Gardens shopping complex currently stands in its place).

Candy won the bet, but the Reading Room members were not amused and revoked guest privileges for the men causing Bennett to build his own social club.

However, he then decided to acquire the vacant lot across the street and commission McKim and his partners, William Mead and Stanford White to bring to life a facility that would allow for both private and public areas.

With an estimated construction crew of 200-300 laborers, the Newport Casino opened to its first patrons in July 1880, and the general public got their first view in August 1880.

Taking many elements and cues from the Japanese Pavilion at the 1876 Centennial International Exhibition in Philadelphia, McKim, Mead & White provided for a plan that was both secluded and open.

Originally, its 500 seats were removable for dancing and the building was the scene of many social occasions for fashionable Summer visitors in the Gilded Age.

The Gilded age drew to a close with the onset of the Depression, and the Newport fell by the wayside as a summer resort for the wealthy and powerful.

Candy and Jimmy Van Alen took over operating the club, and by 1954 had established the International Tennis Hall of Fame in the Newport Casino.

[12][13] The Hall of Fame Museum's exhibition galleries which exist on the second floor of the main Newport Casino building have been created in a series of renovations, first in the 1970s, then in the 1990s, and most recently in 2014–2015.

In the 1990s, the third floor of the main building was renovated into a suitable repository for the storage and study of pieces in the Tennis Hall of Fame artifact, library, and archival collections.

The structure lost its roof to a fire during the 1940s but was restored to functionality with a large-scale renovation in 1980, and remains one of the most active courts of its type in the United States.

Postcard, early 20th century