Nicolás Francés

Only five of the eighteen major scenes were embedded in the current neomudéjar altarpiece, and a score of smaller tables occupying the grooves, reused in the episcopal chair of the same presbytery.

The motifs represented, with a major feature anecdotal painter and symbolic content, are scenes from the lives of San Froilan, Bishop of Leon, and the Virgin Mary.

In 1459 he started the decoration of the cloister, hired ten years ago, for which he made a series of thirty-one evangelical matters murals, of which twenty have arrived in poor condition.

The cathedral altarpiece paintings documented, along with a picture of the Nativity, allegedly signed with an "N" in a hymnal of the collegiate Basilica of San Isidoro, helped define his style of painting, which combines the clarity and Italian Flemish attention to detail, and attribute some other works, among which the Altarpiece of the Life of the Virgin and Saint Francis (Museo del Prado), from Chapel Farm Esteva of Delights in the vicinity of La Bañeza.

An "early work", the altarpiece Counter Hood Saldana Lopez at the Royal Convent of Santa Clara is also attributed to him, probably using imported labor.