Nicolas-Sébastien Adam

Along the way, he stopped to work on the ornamental façade of the Château de la Mosson at Juvignac, near Montpellier, spending 18 months on the project.

During the same period, he worked for the Rohan family at the Hôtel de Soubise, sculpting bas-reliefs for Amours des Dieux ("The Gods' Love Affairs", 1736) in the state chamber of the Princess.

The Bâtiments du Roi commissioned him for work at the Courts of Accounts in Paris, at the Basilica of St. Denis, and on the royal chapel at Versailles.

His reception piece for the Academy in 1762 was Prometheus Bound (French Prométhée enchaîné) considered one of the masterpieces of 18th-century sculpture.

His most notable work, however, is the funeral monument of the queen Catherine Opalińska, wife of Stanislas Leszczyński, at the Notre-Dame-de-Bonsecours church in Nancy.

Portrait of the sculptor Adam by Étienne Aubry
The Adam family home in Nancy
Prometheus Bound (1762), Adam's reception piece for the Academy
Religion Instructing an Indian (1745), expressing the colonialist attitudes of 18th-century Europe