Nicu's Spoon Theater Company

[1][2] The company works with actors regardless of age, ability, gender, color or ethnicity[3] and seeks to challenge stereotypes and expectations.

[6] Others works include Eric Overmyer's In Perpetuity Throughout the Universe; Nineteen Eighty-Four; Mac Wellman's Murder of Crows; Eric Bogosian's subUrbia; a play adaptation of Ordinary People by Nancy Gilsenan (from the book by Judith Guest); Elizabeth Egloff's The Swan; a play adaptation of Le Petit Prince by Ric Cummins and John Scoullar; Mark Medoff's Stumps; Gary Henderson's Skin Tight; Ken Duncum's Cherish; Buried Child; Constance Congdon's Tales of the Lost Formicans, Shakespeare's Richard III in 2007[7][8] and 2015,[9][10] and Elizabeth Rex,[11][12] which after its run moved to New York's Center Stage in August 2008 for a one-month limited Off-Broadway engagement; Peter Barnes' Red Noses in 2015,[13] and Maxwell Anderson's The Bad Seed.

She acted in Los Angeles in both theatre and film before taking an eight-year hiatus when she lived and worked in Central and Eastern Europe.

[20] She has guest lectured on Inclusion in the Arts for many universities as well as groups including Accessibility New York[21] and the United States Institute for Theatre Technology (USITT).

[27] "Theatre practitioners such as Stephanie Barton-Farcas demonstrate inclusion and accommodation reflecting the social model through the ways in which they take responsibility for providing accessible materials and physical space, and how they value differences as strengths in a diverse world".